At the risk of seeming anti-social (or worse, a jerk), I have to confess I just don't understand all the fuss about social media. You'll find articles on it on the cover page of virtually every industry publication, and it's all over the web-social media is obviously the next big thing. Here's why:
West Side Story
As I'm writing this, seven minutes ago Michael Jackson—who was (and may still be) a mesmerizing musical talent—announced a series of appearances in London, and perhaps around the world. I say good luck to him.
I simply cannot look at Michael Jackson. Too much deeply intimate stuff about him has been shoved down my gullet by the media: his admitted proclivity for sleeping with young boys, the photograph of him dangling a baby out a hotel window, the apparently botched surgery that disfigured his elegant face, the child’s fantasy world of Neverland Ranch, the lurid court cases and the endless speculation about his health. All these weird associations run through my head at the mention of his name. I would never pay money to see him perform, and I switch channels the instant he appears on TV.
This is the era of Twitter, Facebook, YouTube, texting, “sexting” (sending salacious self-portraits over the Internet and cell phones), blogs and memoirs where tens of millions of us glory in “letting it all hang out.” As a March 5 headline in the Philadelphia Inquirer proclaimed: “Stars Micro-Blog Their Lives on Twitter.”
Somehow we feel it's our God-given right to know everything about everybody—Britney, Lindsay, Alec, Tom and Katie, Monica and Bill, Octo-Mom ...
So why am I deeply saddened by the death of a little-known, young musicologist, researcher and conductor whom I never met and about whom I knew absolutely nothing?
His life’s work touched many deeply.